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  <a href="/blog/blog/4777263/wine-wednesday-s-2-ep-6-naumann-vineyards">Wine Wednesday S. 2, Ep 6: Naumann Vineyards</a>&nbsp;
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  <div class="message"><p>Becky Naumann told her husband, Don, he needed a hobby. So he put his horticulture degree and career in viticulture sales to good work. He started Naumann Vineyards.</p><p>Today, the boutique winery, perched 2,000-plus feet above Cupertino, CA, in the foothills of the Santa Cruz Mountains, produces about 750 cases a year and specializes in Merlot blends.</p><figure><img src="https://cdn-images-1.medium.com/max/833/1*7HyrbUhJtwxZIPlJQz1vyg.png" class="size_orig justify_inline border_" alt="" /><figcaption><strong>Naumann Vineyards, 16505 Montebello Rd., Cupertino, CA 95014</strong></figcaption></figure><p>We caught up with Don at the 38th Annual Los Altos Art &amp; Wine Festival last weekend. It’s Naumann’s 11th year at the festival, one of Don’s favorite events.</p><p>And, although he’s proud of all the wines he produces, he highlights the Rose Merlot as one of his more unique creations.</p><p>“There’s only one other winery in the state that does the Rose Merlot. We’re pretty proud of that,” he says. This particular blend was something of an innovative way to make use of juicier grapes on his property. Although he dry farms his crops, a natural spring runs under one section of his grapes.</p><p>“I didn’t want to blend that in with the traditional Merlot,” he says, noting that the Rose Merlot is aged in stainless steel, while the rest of his blends are aged in French oak barrels.</p><figure><img src="https://cdn-images-1.medium.com/max/394/1*jY9Hq7Whx91b7B30kmYEoA.png" class="size_orig justify_inline border_" alt="" /><figcaption>Don Naumann on the deck of Naumann Vineyards, overlooking the Santa Clara Valley.</figcaption></figure><p>We explained our process of pairing a wine with a song, and Don says he prefers light country and light rock. So we think we have come up with the perfect combination for our latest Wine Wednesday episode below. We hope you enjoy it.</p><p>And if you’re free this Saturday from noon till 5 p.m., Don’s winery will be open as part of the Santa Cruz Mountains Wine Growers Association <a href="http://scmwa.com/event/july-2017-passport/">Passport Days</a>.</p><p>It’s one of only five days a year his winery is open. In addition to the four Passport Days each year, he holds a release party for his latest vintage. This year’s party will be held on Aug. 26. “We’re really small,” says Don, “the release party is basically on my deck overlooking the valley. This year we will be opening the 2014 Merlot, which has been aging in oak.”</p><p>Sounds like a perfect setting and an ideal vintage. Hope to see you there. Naumann Vineyards is located at <strong>Naumann Vineyards, 16505 Montebello Rd., Cupertino, CA.</strong></p><iframe src="https://cdn.embedly.com/widgets/media.html?src=https%3A%2F%2Fwww.youtube.com%2Fembed%2F-NwS5prKoKE%3Ffeature%3Doembed&amp;url=http%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3D-NwS5prKoKE&amp;image=https%3A%2F%2Fi.ytimg.com%2Fvi%2F-NwS5prKoKE%2Fhqdefault.jpg&amp;key=a19fcc184b9711e1b4764040d3dc5c07&amp;type=text%2Fhtml&amp;schema=youtube" width="854" height="480" frameborder="0" scrolling="no"><a href="https://medium.com/media/7518fbf389068003d42d698a35cec190/href">https://medium.com/media/7518fbf389068003d42d698a35cec190/href</a></iframe><img src="https://medium.com/_/stat?event=post.clientViewed&amp;referrerSource=full_rss&amp;postId=db432433d11c" class="size_orig justify_inline border_" height="1" width="1" /><hr><p><a href="https://medium.com/winewednesday/wine-wednesday-s-2-ep-6-naumann-vineyards-db432433d11c">Wine Wednesday S. 2, Ep 6: Naumann Vineyards</a> was originally published in <a href="https://medium.com/winewednesday">WineWednesday</a> on Medium, where people are continuing the conversation by highlighting and responding to this story.</p></div>
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  <a href="/blog/blog/4768670/wine-wednesday-s-2-ep-5-byington-winery">Wine Wednesday, S. 2, Ep 5: Byington Winery</a>&nbsp;
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  <div class="message"><p>Nestled in the hills above Los Gatos is a magnificent estate known as the Byington Winery. But we only traveled one mile from our Los Altos home to sample the fruits of their labor. That’s because a few short weeks ago, Byington opened the first tasting room in downtown Los Altos.</p><p>We recently caught up with Benny Madsen, the owner of Byington, at the light-filled and modern-style space, where the paint is practically just drying and a few more shelves and other fixtures are yet to be installed. The outlet serves multiple purposes, says Benny, and it fills a niche between a coffee shop and a full bar.</p><p>“We wanted to create alternatives. A place you can come to in the afternoon or have a small business meeting and enjoy the wine. But we also want to create awareness for Byington, to be able to sell directly here to customers rather than asking them to drive up a winding road all the way to the winery.”</p><figure><img src="https://cdn-images-1.medium.com/max/1024/1*OZSrWlSkgYLgEtKFcxoxkQ.jpeg" class="size_orig justify_inline border_" alt="" /><figcaption>We take a moment for a selfie with Dre Council, wine tasting associate at the Los Altos Wine Tasting Room.</figcaption></figure><p>He notes that the tasting room will also be available for corporate events, such as team-building exercises.</p><p>Benny, who has had a very successful career in high tech, entered into the wine business less than five years ago. He must be a quick study. Not only has he acquired and significantly improved the operations at Byington and opened the Los Altos Tasting Room, he has also acquired another winery in the Pine Mountain-Cloverdale AVA (American Viticulture Area) in the heart of the Alexander Valley.</p><p>“I think Santa Cruz has some fantastic grapes. It’s just that the Santa Cruz Mountains AVA is not very well known outside the area. We needed something that was easier to recognize as a famous AVA.”</p><p>In addition to the expansion of brand marketing, the second vineyard complements the grape varieties quite well. While the Santa Cruz location provides an abundance of Pinot Noir, the Alexander Valley locale supplies Cabernet Sauvignon, Cabernet Franc, Merlot, Chardonnay and Petit Berdot.</p><h3>Pairing Music and Wine</h3><p>Music, we are pleased to note, is a big part of Byington’s event calendar. “We do music (at the winery) every Sunday come rain or shine,” says Benny.</p><p>He sees live music as a great way to not only provide a pleasant ambiance for the winery, but to help musical artists establish themselves.</p><p>“There’s a lot of synergy in working with musicians. It’s a great way to create an audience for lesser known bands, but we also want to draw on some of the fan base to come up and experience the winery and we hope some of these fans will stay and become fans of the winery.”</p><p>Benny knows a thing or two about music, as an amateur big band trombonist from his college days. But choosing his favorite big band composer is as futile as choosing a favorite wine from his vineyards.</p><p>“I like them all,” he says with a laugh.</p><p>This inspired us to make the hard choice of pairing Byington’s exclusive “Liage” white blend with a classic Duke Ellington tune: “I Got it Bad (And That Ain’t Good”). You can watch our latest installment of Wine Wednesday below.</p><p>The new tasting room is open this weekend for the <a href="http://www.downtownlosaltos.org/events/aw_main.html">38th Annual Los Altos Art &amp; Wine Festival</a>, which runs Saturday and Sunday, July 8 and 9, from 10 a.m. to 6 p.m. each day. We’ll be there. And we hope to see you as well.</p><iframe src="https://cdn.embedly.com/widgets/media.html?src=https%3A%2F%2Fwww.youtube.com%2Fembed%2FOzQtAGJcSWo%3Ffeature%3Doembed&amp;url=http%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3DOzQtAGJcSWo&amp;image=https%3A%2F%2Fi.ytimg.com%2Fvi%2FOzQtAGJcSWo%2Fhqdefault.jpg&amp;key=a19fcc184b9711e1b4764040d3dc5c07&amp;type=text%2Fhtml&amp;schema=youtube" width="854" height="480" frameborder="0" scrolling="no"><a href="https://medium.com/media/5e9b45cc5a75ee6ed9898b463a7ee5d0/href">https://medium.com/media/5e9b45cc5a75ee6ed9898b463a7ee5d0/href</a></iframe><img src="https://medium.com/_/stat?event=post.clientViewed&amp;referrerSource=full_rss&amp;postId=5c5b9ef8d25b" class="size_orig justify_inline border_" height="1" width="1" /></div>
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  <a href="/blog/blog/4764412/bay-area-musician-season-2-starts-today-6-7pm-on-kzsu-90-1fm-and-kzsu-stanford-edu-live">Bay Area Musician Season 2 starts today, 6–7pm on KZSU 90.1FM and kzsu.stanford.edu/live</a>&nbsp;
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  <div class="message"><p>Bay Area Musician Season 2 starts today, 6–7pm on KZSU 90.1FM and kzsu.stanford.edu/live</p><p>Tune in at 6!</p><img src="https://medium.com/_/stat?event=post.clientViewed&amp;referrerSource=full_rss&amp;postId=a0cb3bd5ffeb" class="size_orig justify_inline border_" height="1" width="1" /><hr><p><a href="https://medium.com/bayareamusician/bay-area-musician-season-2-starts-today-6-7pm-on-kzsu-90-1fm-and-kzsu-stanford-edu-live-a0cb3bd5ffeb">Bay Area Musician Season 2 starts today, 6–7pm on KZSU 90.1FM and kzsu.stanford.edu/live</a> was originally published in <a href="https://medium.com/bayareamusician">BayAreaMusician</a> on Medium, where people are continuing the conversation by highlighting and responding to this story.</p></div>
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    <p class="post-info"><span data-time="2017-07-02T09:19:00-07:00" title="July 02, 2017 09:19">07/02/2017</span></p>

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  <a href="/blog/blog/4759720/the-penny-and-the-apricot-tree">The penny and the apricot tree</a>&nbsp;
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  <div class="message"><p>The lone apricot tree in the nursery seemed to be calling out to us.</p><p>It boasted one lone fleshy, ripened orb on its branches. A promise, we assumed, of its bounty yet to come.</p><p>We made an impulse decision to buy the tree, only to discover, after hauling it out to the car, that it was too tall to fit in our little hatchback. No problem, we thought, since we live just a few blocks from the nursery. We borrowed a hand cart from the store and began to hoof it home, pushing our new prized possession.</p><p>It was a quiet Saturday morning, but the neighbors were out in full force, trimming hedges, planting flowers. And there seemed to be a great deal of interest in our endeavor.</p><p>“Is that a Blenheim?” we heard someone say.</p><figure><img src="https://cdn-images-1.medium.com/max/1024/1*YDjd1ZC9sC69s7p7ISVL0g.jpeg" class="size_orig justify_inline border_" alt="" /></figure><p>Having no idea what a Blenheim might be, we stopped and chatted with our friendly neighbor, who gave us a concise but comprehensive history of the area.</p><p>Our town, it turns out, was once a vast series of apricot orchards and Blenheims were the preferred variety of “cots,” as they were called by those in the industry. They were grown and dried for shipment worldwide.</p><p>The greater Santa Clara Valley, was, for approximately 100 years, the largest producer in the world of this and other fruits. Living here, it’s not hard to understand why. The soil is fertile. The weather is near perfect as ocean breezes and fog temper the heat of the valley in the summer and mitigate the cold in the winter.</p><p>At the start, ground water supplied most of the last vital ingredient needed to grow things. And by the turn of the last century, vast networks of aqueducts and pipes pulled that liquid commodity out of snow pack of Sierra range to slake the thirst of the rapidly growing agricultural industry.</p><p>After World War II, things changed, and in a hurry.</p><p>Technology quickly overtook agriculture as the primary economic force in the region. And with the new jobs, came a new need for housing. Over night, it seemed, the myriad rows of fruit and nut trees were displaced by crops of track homes and strip malls, office parks, freeways and all the other entrapments of modern suburbia. Gone were the orchards.</p><p>Santa Clara Valley became Silicon Valley.</p><p>After a few more neighborly conversations on our trek home, we got to planting our new apricot tree. As I began tilling the soil, a dull, reddish glint caught my eye. I retrieved a well-worn but familiar-looking object. See a penny, pick it up, and all the day you’ll have good luck.</p><p>I could decipher that it was a Lincoln head, and the date appeared to be 1941. I dropped it in a bowl of lemon juice for three days, and the sediment of 75-plus years dissolved.</p><figure><img src="https://cdn-images-1.medium.com/max/1024/1*DF0Ei0Dr67Ff_Zhsf04ROw.jpeg" class="size_orig justify_inline border_" alt="" /></figure><figure><img src="https://cdn-images-1.medium.com/max/1024/1*5_55gqYho5I0x8JhLQDgnw.jpeg" class="size_orig justify_inline border_" alt="" /><figcaption>A litte worse for the wear, but it’s still in tact. This is a 1941 Wheat penny discovered in our garden.</figcaption></figure><p>A little research reveals that it is what is known as a “Wheat Penny,” for the stalks of grain that adorn the tail side of the coin. It is a bronze alloy of 95% copper, mined and smelted from Michigan, and a little tin and zinc.</p><p>It’s not worth a whole lot in the world of coin collecting, maybe as much as 35 times its face value.</p><p>Typically a coin has a small letter above or below the year of minting. The letter indicates the source of the printing; a “D” for Denver or a “P” for Philadelphia. But this vintage apparently had no such demarcation, or it is too worn to reveal its geographic origin.</p><p>But my research got me to thinking. This coin was our very own little time capsule. A glimpse into the past of this rich region.</p><p>The piece would have been pressed into service at a very tenuous (and soon to be turbulent) time in our history. The Great Depression was just ending, but by the end of that year, of course, we would have the day that would live in infamy, and a world war.</p><p>How many times did this piece of currency change hands during that global conflict and how many times thereafter? What did it buy? With eight of this particular monetary unit, you could buy a loaf of bread at the time. Five would get you a soda or a cup of coffee.</p><p>And when and how did this little sliver of stamped nonferrous metal find its way to being buried a foot or so down in what is now our front yard?</p><p>I imagine a farm worker tending the apricot orchards and the thing slipping out of his pocket. Or perhaps, when the orchard was ripped up to make way for housing during the Eisenhower era, the coin made its unintentional descent from a construction worker’s clothing. Hope he had enough to pay for his coffee break that day.</p><p>What a remarkable coincidence it would be, then, that I would find this penny while digging up the same soil to plant an apricot tree where the penny had been dropped while displacing that very type of tree 60 or so years ago.</p><p>A penny for your thoughts, they say. This one has given me more than that to ponder.</p><img src="https://medium.com/_/stat?event=post.clientViewed&amp;referrerSource=full_rss&amp;postId=d72f1e4f001c" class="size_orig justify_inline border_" height="1" width="1" /></div>
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  <div class="message"><p>So many great events this summer in Redwood City! It’s great to see so much happening to promote arts and culture.</p><p>We will be back at Angelicas on July 1st for another Jazz Supper Club experience. Looking forward to seeing all the great people of Redwood City there again! Details: <a href="http://bit.ly/2r2b0lj">http://bit.ly/2r2b0lj</a></p><p>For those of you who maybe are looking for more low-key events, there are plenty of those as well! Check out our top 4 list of things to do on July 4th weekend here: <a href="https://medium.com/@twentythirdhour/fun-low-key-things-to-do-in-the-bay-area-over-the-july-4th-weekend-efc4f7080f8e">https://medium.com/@twentythirdhour/fun-low-key-things-to-do-in-the-bay-area-over-the-july-4th-weekend-efc4f7080f8e</a></p><img src="https://medium.com/_/stat?event=post.clientViewed&amp;referrerSource=full_rss&amp;postId=30d9ef67dad2" class="size_orig justify_inline border_" height="1" width="1" /></div>
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  <a href="/blog/blog/4757221/fun-low-key-things-to-do-in-the-bay-area-over-the-july-4th-weekend">Fun, low-key things to do in the Bay Area over the July 4th weekend</a>&nbsp;
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  <div class="message"><p>If you’re visiting from out of town and are looking for things to do, here is a list of some of our favorite things to do in the peninsula area.</p><ol>
<li>Wine Tasting: Big Dog Vineyards</li>
<li>Retro: Classic movie with theme played live by an organist!</li>
<li>Arts/Nature: Filoli Gardens</li>
<li>Retro: <a href="http://bit.ly/2r2b0lj">Jazz Supper Club (Dinner with Live Music)</a>
</li>
</ol><h3>1. Big Dog Vineyards (Milpitas, CA)</h3><p>This winery is a gem. It has gorgeous views of the bay and excellent, unique wines. The owners Mark &amp; Sandy are super welcoming and personable. Family, kid, and dog friendly.</p><p><strong>Hours</strong><br>Friday 5–9pm <br>Saturday/Sunday 12–5pm</p><p><a href="http://www.bigdogvineyards.com">More info</a></p><h3>2. Classic Movies at Stanford Theater (Palo Alto, CA)</h3><p>We don’t go to the movies often, but when we do… The floor opens, an organist rises from below the stage and starts playing the theme music. Then he disappears into the floor again and a Hitchcock movie or other classic starts playing.</p><p>“African Queen” and “Desk Set”</p><p><strong>Hours:</strong><br>Friday 6/30<br>Desk Set (1957) 5:35, 9:25<br>The African Queen (1951) 7:30</p><p>Saturday 7/1<br>Desk Set (1957) 5:35, 9:25<br>The African Queen (1951) 3:40,7:30</p><p>Sunday 7/2<br>Desk Set (1957) 5:35, 9:25<br>The African Queen (1951) 3:40,7:30</p><p>Closed Monday, Tuesday</p><p><a href="http://stanfordtheatre.org/calendars/Comedy.html">More info</a></p><h3>3. Filoli Gardens (Woodside, CA)</h3><p>Whether you just want to soak up the sun in an Instagram friendly environment or are looking for a magnificent place to read a book or bring your favorite set of watercolors, you’ll be enchanted at Filoli Gardens. Picnic tables, cafe, hiking trails, nature preserve, all in one place!</p><p><strong>Hours</strong>:<br>Tuesday-Sunday: 10am — 5pm</p><p><a href="https://filoli.org/events/">More info</a></p><h3>4. Angelicas Jazz Supper Club (Redwood City, CA)</h3><p>Jazz supper clubs were very popular a few generations ago. While they’re less common, they’re still swell and alive in the Bay Area! Angelicas has gourmet food, an extensive beverage list, tasty vegetarian options and great live music! You will be transported to another time with light music. From old Duke Ellington standards to Beatles classics to the latest movie soundtrack, with some original tunes interspersed.</p><p><strong>Hours</strong>:<br>Saturday 7/1 — Reservations available 7pm onwards. Show is 8:30-10:30pm</p><p>Tickets: <a href="http://bit.ly/2r2b0lj">http://bit.ly/2r2b0lj</a></p><p>The San Jose Mercury News article <a href="http://bayareane.ws/2rI4bCr">http://bayareane.ws/2rI4bCr</a></p><iframe src="https://cdn.embedly.com/widgets/media.html?src=https%3A%2F%2Fwww.youtube.com%2Fembed%2FwsJpA2svaN0%3Ffeature%3Doembed&amp;url=http%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3DwsJpA2svaN0&amp;image=https%3A%2F%2Fi.ytimg.com%2Fvi%2FwsJpA2svaN0%2Fhqdefault.jpg&amp;key=a19fcc184b9711e1b4764040d3dc5c07&amp;type=text%2Fhtml&amp;schema=youtube" width="854" height="480" frameborder="0" scrolling="no"><a href="https://medium.com/media/5e6b891e64c98f0878e33062dbdf90e6/href">https://medium.com/media/5e6b891e64c98f0878e33062dbdf90e6/href</a></iframe><iframe src="https://cdn.embedly.com/widgets/media.html?url=http%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3D_ZMy537k2MA&amp;src=https%3A%2F%2Fwww.youtube.com%2Fembed%2F_ZMy537k2MA&amp;type=text%2Fhtml&amp;key=a19fcc184b9711e1b4764040d3dc5c07&amp;schema=youtube" width="854" height="480" frameborder="0" scrolling="no"><a href="https://medium.com/media/ddea2a94f74cf7a05114dc2c96eb8410/href">https://medium.com/media/ddea2a94f74cf7a05114dc2c96eb8410/href</a></iframe><h3>Recommended schedule</h3><p><strong>Friday Night</strong>: Movie at Stanford Theater</p><p><strong>Saturday morning/lunch</strong>: Filoli Gardens</p><p><strong>Saturday evening</strong>: Angelicas - gourmet dinner &amp; live music</p><p><strong>Sunday</strong>: Wine Tasting at Big Dog Vineyards</p><img src="https://medium.com/_/stat?event=post.clientViewed&amp;referrerSource=full_rss&amp;postId=efc4f7080f8e" class="size_orig justify_inline border_" height="1" width="1" /></div>
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  <a href="/blog/blog/4755969/guerrilla-composers-guild-part-ii">Guerrilla Composers Guild Part II</a>&nbsp;
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  <div class="message"><p>This week we conclude our discussion with Nick Benavides, administrator for the Guerrilla Composers Guild (GCG) in San Francisco. The GCG is an organization dedicated to supporting composers of contemporary classical music and finding artists to perform the new compositions.</p><p>Nick is joined by fellow composer Michael Kropf, as well as performers Tori Hauk and Jessie Nucho from the Suroko duo.</p><p>We delve into a discussion about music in the Bay Area and what defines this region. Nick points out that the GCG is not necessarily about “pushing the envelope and ripping it open.”</p><p>“We don’t see ourselves as the Ballet Russe causing riots at Davies Symphony Hall. It is about cultivating talent. We run the gamut from very experimental music that might push people to be uncomfortable in their seats to music that is flowery. It’s really about honing the craft of those performers and composers. It’s really about putting a lot of faith in those artists.”</p><p>Michael Kropf sees the Bay Area as very different than New York City, often considered the epicenter of culture and art. As an undergrad, he lived in the Big Apple and then moved to San Francisco directly after.</p><p>“They are two very different scenes. New York is held up as the Gold Standard and it is a very vibrant scene. But I function better in the Bay Area because of its openness. All those things (that make New York special) exist in San Francisco without negative feelings or a feeling of conflict.”</p><blockquote>“In New York there is always the sense someone is trying to take control of the narrative. I don’t think that’s ever been a part of the Bay Area scene.”</blockquote><p>Jessie Nucho and Tori Hauk comment on the Bay Area’s environment for performers. Younger performers in high school are not only playing the traditional classical music, but eager to experiment.</p><h3>Building audiences and community</h3><p>One of the biggest challenges for any musical artist today is attracting new listeners. It is an especially acute problem in the classical music genre. But GCG is using some creative techniques to tackle the problem.</p><p>One of those tactics is to focus more on the ensembles than on the individual pieces of composition.</p><p>“It kind of works. We get people who want to see Suroko Duo. They want to see a human achievement on flute. Focus on the ensemble.”</p><figure><img src="https://cdn-images-1.medium.com/max/748/1*JhmiUhxGl3zfIVxskvspzw.png" class="size_orig justify_inline border_" alt="" /><figcaption>The International Low Brass Trio performs “de Profundis” by composer Danny Clay</figcaption></figure><p>Another tactic is to make the performance intimate and interactive. They usually produce their events at the Center for New Music in San Francisco.</p><p>“It’s very supportive of the new music community. It’s essentially a big living room. We like to choose venues that facilitate interaction with the composers and the performers,” says Nick.</p><h3>Advice for new musicians</h3><p>We wrap up the show asking Nick and team to give advice to new musicians just starting out. Nick’s suggests artists work to help build opportunities for friends and build a community. By doing so, they will not only aid the community but generate opportunities for themselves as well.</p><p>Jessie from Suroko urge performers to “keep going. It takes a lot of effort to get things off the ground. It’s OK to have false starts. If you don’t give up and seek your authentic musical self, it will work.”</p><p>Tori adds that being a musicians is about 98 percent perseverance, and 2 percent talent. “Be graciously stubborn. Keep putting yourself out there and keep going.”</p><p>This week we feature in our show a wide variety of musical styles produced by the GCG. To listen, you can click here:</p><p><a href="https://www.youtube.com/watch?v=51XHKQGlOBY">I Smoke My Pipe</a>.</p><p><a href="https://www.youtube.com/watch?v=oTjofKXRqi4">Three Lorca Songs</a></p><p><a href="https://www.youtube.com/watch?v=9ZxvA-y1PXs">Touch</a></p><p><a href="https://www.youtube.com/watch?v=LA-Npjyg6oc">de Profundis</a></p><p>Hope you enjoy the music and the interview as much as we did!</p><img src="https://medium.com/_/stat?event=post.clientViewed&amp;referrerSource=full_rss&amp;postId=ee8dd2c0d7d6" class="size_orig justify_inline border_" height="1" width="1" /></div>
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  <a href="/blog/blog/4754192/defending-bill-withers-and-ourselves">Defending Bill Withers (and ourselves)</a>&nbsp;
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  <div class="message"><p>We started busking — playing music on the street — almost from the moment we met. At first, we’d go out there with just the two guitars. We were just jamming.</p><p>Almost immediately, we had to adjust. People wanted to throw a buck or two in a hat. We were out there for the fun of it, but, hey, if people want to express their appreciation in a remunerative fashion, why argue? So we made up a tip jar, a sign, a sign-up list, a table to sell our CDs and brought an amplifier to compete with the street noise.</p><p>We found ourselves a nice little spot on Castro Street in Mountain View where people often congregate. It’s between two sidewalk cafes and has a lot of foot traffic as well. The children are usually mesmerized by watching us play and want to linger. The parents, appreciative of a respite from the never-ending chore of keeping their kids busy, will usually respond with a donation. It’s endearing as they hand a buck or two to their child and instruct them on how to place it in the tip jar.</p><p>Of course, compared to our day jobs, the money is nominal. But we’ve gotten accustomed to using the tips as a feedback mechanism for what people like.</p><p>A few weeks ago, we had a crowd of 30 or 40 people dancing and singing along and the tip jar was overflowing. We brought down the house with Sherry’s vocals on the Led Zeppelin classic, “Whole Lotta Love.”</p><p>But this weekend, we reached a new milestone. Our first ever hater.</p><p>The whole thing happened so randomly and ended so quickly, we are still processing it.</p><p>It was a warm night and the street was busy but not brimming. We had an older group of three couples sitting next to us and they seemed to really enjoy the old Beatles and Sinatra tunes. (As we play, we watch the audience closely and gauge their reaction. If they are reacting to a particular genre of music, we’ll run through our repertoire that fits the bill. We can and will play everything from Duke Ellington to Coldplay.)</p><p>When the older group left, a younger group started hanging out. Sherry proceeded to belt “Ain’t No Sunshine,” and we kicked it up a notch.</p><p>I especially appreciate this song for three reasons:</p><p>1. It’s a classic. Simple, raw, full of emotion.</p><p>2. Sherry knocks it out of the park on vocals.</p><p>3. I get to hang back (even sit down) and just riff a bit on guitar.</p><p>It was dusk turning to full night at this point. I was leaning back and Sherry was up front on the sidewalk. As were finishing up the song I heard a shout from the other side of the street.</p><p>“Hey, Bill Withers!”</p><p>I turned around to see a woman, dodging traffic to get to our side of the street. “That was Bill Withers!” she said. I couldn’t tell if she was just excited, out of breath from running, maybe a bit inebriated, or maybe all of those things.</p><p>I’ve been playing gigs since I was 15. You learn to identify certain behavioral patterns as people approach a band. Some are polite but inebriated and want a turn at the microphone to sing some song for which they know half the lyrics and for which they can approximate the tune plus or minus a key signature or two. Some are three sheets to the wind and belligerent, and want to argue with you. I wasn’t sure yet where our new friend was going to be on the spectrum.</p><p>She didn’t try to grab the microphone, so that was a good sign. But then she said:</p><p>“You HAVE to play that song again!” It was not a request.</p><p>“Bill Withers, right?”</p><p>Yes, we said, this is a classic Bill Withers tune.</p><p>“OK,” Sherry said, nonchalantly. “We have our first request for a repeat.”</p><p>And so we reprised the song. Our friend seemed in heaven, occasionally shouting out a “yeah,” or “all right,” but other than that, she was respectful of our space and enjoying the music.</p><p>As we finished up the tune we saw a tall, bespectacled Baby Boomer. Balding with white hair, he was probably in his early ’60s. We are used to people patiently waiting to praise Sherry’s singing, or our harmonies, or maybe my guitar work. But before we even finished, he was yelling.</p><p>“That’s awful!” he said. “What is it going to take for you to leave?”</p><p>I looked at Sherry and our Bill Withers fan-club friend. None of us could believe what he actually had just said. Maybe it was a joke.</p><p>“Seriously,” he said. “That’s awful.”</p><p>Sherry responded diplomatically, in a calm voice, along the lines of: “Sorry to hear it’s not your kind of music,” and “You’re entitled to your opinion.”</p><p>But our Bill Withers fan came immediately to our defense in a much more animated tone. “Hey, that’s Bill Withers!” she said the to grumpy boomer guy.</p><p>“Seriously,” said the boomer, “How much will it take for you to pack up and leave. I’ll give you five bucks.”</p><p>“Really?” I said. “I’ll give you a hundred to leave town and never come back.”</p><p>The man looked at me for a moment. I was out of the light, but he was illuminated by a store sign. I could see he was clearly agitated by my insolent remark. He did not expect such a response, I guess.</p><p>As I looked at him, I began to sense that I had met him before. And then it dawned on me, that he might have recognized at least my voice. And this made him more agitated. He felt superior and entitled to talk condescendingly to a couple of street musicians, but if he knew me, that changed the game.</p><p>He was now even more frustrated. So he turned to address Sherry instead of me. I was about to jump back into the fray, but our Bill Wither’s fan beat me to it.</p><p>“It’s Bill Withers. You don’t get it!”</p><p>And then I heard someone to my right say:</p><p>“Honey, what are you doing?”</p><p>There stood an African-American male, who was apparently married to or in a relationship with Bill Wither’s № 1 Fan.</p><p>The woman tried to explain to her partner that she had to defend Bill Wither’s honor and by extension the duo paying homage to the legendary songwriter. But her partner was having none of it.</p><p>“Get out of there,” he said. “This is fucked up.”</p><p>He turned to me. “Don’t get me wrong, the music is great. You guys are great.”</p><p>“Thank you,” I said.</p><p>“Come on,” he said to her. “Let’s get out of here.”</p><p>And so Bill Wither’s № 1 fan and her partner left. And the boomer dude decided it was a good divergence to provide for his escape, since he wasn’t winning his argument.</p><p>We played a few more songs but clearly this had put a damper on the evening. So we packed it up.</p><p>The whole interaction lasted no more than two minutes. It took me another 24 hours to analyze what had happened.</p><p>— In the eyes of the aging white Baby Boomer, street musicians are a step above the homeless. It reminded me of the experiment of one the world’s greatest violinists going <a href="https://www.washingtonpost.com/lifestyle/magazine/pearls-before-breakfast-can-one-of-the-nations-great-musicians-cut-through-the-fog-of-a-dc-rush-hour-lets-find-out/2014/09/23/8a6d46da-4331-11e4-b47c-f5889e061e5f_story.html?utm_term=.235696f5ab22">undercover in a Washington D.C. subway stop. </a>Our boomer critic had no appreciation for street musicians and he felt entitled to tell us what to do. This was his street while he was on it.</p><p>— Boomer Dude was uncomfortable addressing, discussing or arguing his case with me, another aging white baby boomer, especially someone he has at least met before if not worked with in the past. This completely undercut his sense of entitlement.</p><p>— He was clearly more interested in addressing Sherry, perhaps because of her age, ethnicity or gender. This also backfired. Sherry is diplomatic but does not back down from stating her point of view. (Not that I’m speaking from experience.)</p><p>— I’ll admit I was a bit incensed at boomer dude’s condescension, treating us as beneath him. He felt he owned the street and could tell us lowly musicians what to do. But I also had to admit that my outrage was an ephemeral thing. I could go back to being myself. This was put into perspective by the husband/partner of our Bill Wither’s №1 fan. He wanted no part of this. Can you blame him? An African-American man in the middle of what could have turned into a much uglier situation. Had the police arrived for some reason, who would they have questioned first? This guy lived with and is living with this type of condescension all his life. Here he was, out for a nice night and he still has to be on guard every moment.</p><p>We talked about it a bit on the ride home. “I could have taken him,” I said in jest, omitting the dependent clause (“…if I were 20 years younger and in better shape”).</p><p>Sherry laughed but added a wise assessment: “He wasn’t worth it. Clearly he is dealing with low self esteem.”</p><p>So that was our weekend. Another milestone, another notch in the belt as a musician.</p><img src="https://medium.com/_/stat?event=post.clientViewed&amp;referrerSource=full_rss&amp;postId=67be9b3356cf" class="size_orig justify_inline border_" height="1" width="1" /></div>
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  <a href="/blog/blog/4753254/how-world-music-day-has-changed-my-life">How “World Music Day” has changed my life</a>&nbsp;
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  <div class="message"><p>While not as widely celebrated in the US, World Music Day was first introduced in France in 1982 and has since been celebrated in over 120 countries all over the world, including Mauritius. It has been the single platform available to me, once a year, if I was picked to perform at school and it was always my favorite day of the year.</p><p>From <a href="https://en.wikipedia.org/wiki/F%C3%AAte_de_la_Musique">Wikipedia</a>:</p><blockquote>
<em>Fête de la Musique’</em>s purpose is to promote music in two ways:</blockquote><blockquote>Amateur and professional musicians are encouraged to perform in the streets, under the slogan <em>“Faites de la musique”</em> (“make music”, a <a href="https://en.wikipedia.org/wiki/Homophone">homophone</a> of <em>Fête de la Musique</em>).</blockquote><blockquote>Many free concerts are organized, making all genres of music accessible to the public. Two of the caveats to being sanctioned by the official Fête de la Musique organization in Paris are that all concerts must be free to the public, and all performers donate their time for free. This is true of most participating cities, now, as well.</blockquote><p>My first music day celebration was in 1996. I was in grade 3 and I sang “Colors of the Wind” in front of the entire school (~1000 students), acapella. It was the first music day that I had attended as far as I could remember. I don’t know how I got picked but I remember standing in front of the assembly, with the staff standing behind me. As I starting to sing, I heard of the teachers say to her colleague <em>“eh li kone santé do”</em>, meaning “<em>hey, the kid can actually sing</em>”. This was my first taste of performance and my first positive reinforcement. It would light a fire in me that several decades later, is still blazing.</p><p>Since then, I would look forward to June 21 every year. It was the one day of the year where I had a chance to perform in front of an audience, if I was lucky enough to get picked. I have played guitar, sung, accompanied other singers, choreographed dance numbers and trained/danced with my newly formed crew — a few enthusiastic friends who had little to no dance experience but were willing to try it out for fun.</p><p>Fast forward to a few years to 2003. I just wrote my first song. In fact, I’ve written about 4 or 5. I don’t play guitar yet, so I get a friend to accompany me. I audition to perform at our all-day Music Day concert and get picked. The note accompanying my acceptance said “<em>should encourage her for writing her own material</em>”.</p><p>The next year, I played another song I wrote. I’d been playing guitar for a few months at that point and managed to get through the performance. I noticed the incredible difference between playing a cover song and playing my own material. It’s so much more nerve wrecking to play your own material. It felt like an achievement to have been up there, playing and singing something I had come up with out of thin air.</p><p>I kept auditioning and playing music every year until I graduated from high school. After my first year of college, I was back in Mauritius for the summer and took an internship. They decided to celebrate music day for the first time at the office and, of course, I was ecstatic about it. Through this, I made friends with a successful local drummer, who encouraged me to register with the local PRO and send my demos to a few people. That resulted in a potential record deal, a single, and eventually a <a href="https://23rdhr.com/album/467597/change-me-as-we-go?autostart=true">self-produced EP</a>.</p><p>For many people, music day is just another festival, just another occasion, just another local festival. For others, it may even be an annoying, noisy street fest. For me, it was the one prized outlet without which my creativity might never have seen the light of day.</p><p>Today, I will again be doing my favorite thing at a private show. My next public show is with <a href="https://medium.com/u/5df247e34272">23rd Hour</a> at Angelicas on July 1. Come if you can. Tickets are cheaper if you <a href="http://bit.ly/2r2b0lj">order online</a>.</p><p>Happy World Music Day — Joyeuse Fête de la Musique</p><p>Written by <a href="https://medium.com/u/2917f7c62eea">Sherry-Lynn Lee</a></p><img src="https://medium.com/_/stat?event=post.clientViewed&amp;referrerSource=full_rss&amp;postId=3989a95348bf" class="size_orig justify_inline border_" height="1" width="1" /></div>
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  <a href="/blog/blog/4747706/guerilla-composers-guild">Guerilla Composers Guild</a>&nbsp;
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  <div class="message"><p>Modern classical music is not only alive, it is thriving in the Bay Area. Evidence of that bold statement can be corroborated in the first of our two discussions with the San Francisco-based <a href="http://www.guerrillamusic.org/">Guerrilla Composers Guild</a> (GCG).</p><p>Founded by Nick Benavides and Danny Clay, the non-profit GCG brings performers and composers together in what we see as a very unique supportive environment that is mutually (and musically) beneficial to both types of artists.</p><p>For performers who are seeking new material, they can work directly with the composers. For composers, it is a chance to iterate on drafts of their <em>oeuvres</em> based on feedback from the performers.</p><p>We spend a good deal of time with Nick this week and with fellow composer Michael Kropf. Also joining us is Tori Hauk and Jessie Nucho, who together perform as the the flute duo “Siroku.”</p><h3>“We don’t have any artistic agenda, we don’t want to tell people what to do,” says Nick Benavides, the administrator of GCG and a composer himself. “If they want to express a certain thing with two flutes, we want to help them achieve that vision to the fullest, whatever that vision is.”</h3><p>The guild’s philosophy and approach seem to be working. To date, the organization has comissioned and premiered over 35 new pieces from over 30 composers.</p><p>Most pieces are performed at the <a href="http://centerfornewmusic.com/about-us/">Center for New Music</a> in San Francisco and the next event for GCG at the center will take place in October. We have it on our calendar, and suggest you do the same.</p><p>In the meantime, if you’re interested in hearing (rather than reading about) the Guerrilla Composers Guild, check out their channel at <a href="https://www.youtube.com/user/GuerrillaComposer">https://www.youtube.com/user/GuerrillaComposer</a>.</p><figure><img src="https://cdn-images-1.medium.com/max/948/1*RCFaP203s4udh5d_5NGuzA.jpeg" class="size_orig justify_inline border_" alt="" /><figcaption>Alexandra Iranfar and Timothy Sherren perform as One Great City and debuted “A Small Picture of a Large Place” by composer Michael Kropf. (Photo by Matthew Wasburn)</figcaption></figure><img src="https://medium.com/_/stat?event=post.clientViewed&amp;referrerSource=full_rss&amp;postId=cbc5f1340fff" class="size_orig justify_inline border_" height="1" width="1" /><hr><p><a href="https://medium.com/bayareamusician/guerilla-composers-guild-cbc5f1340fff">Guerilla Composers Guild</a> was originally published in <a href="https://medium.com/bayareamusician">BayAreaMusician</a> on Medium, where people are continuing the conversation by highlighting and responding to this story.</p></div>
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